Selected Short Fiction of Ryan Masters

Iredeemable, Now and Forever”, Catamaran Literary Reader

No Whispering, No Secrets”, Bookshop Santa Cruz

Providence Mining Corporation”, Catamaran Literary Reader

Everyone Negotiates”, Gargoyle Magazine

Puzzle Box”, Bookshop Santa Cruz

You Got It Made. No Sweat”, Variant Literature

Leg”, Unlikely Stories


The cover of Ryan Masters' book of novellas shows a shadowy girl jumping on a trampoline.

Above an Abyss by Ryan Masters

Trampoline Games
It’s the summer of 1986 and all is not well among the sharply defined suburbs of Salt Lake City. A 12-year-old boy arrives in a land of “mountains, Mormons, crickets” to find baffling prejudice, but also intoxicating freedom, lust, moments of heaven and, in the end, a terrible violence.


The Moth Orchid
When a hereditary form of early onset dementia begins to ravage a woman’s mind, she embarks on a desperate quest into her past in hopes of finding answers. Set against the noir backdrop of a sub-zero Alaskan winter, The Moth Orchid is a gripping tale of one woman’s struggle with the inevitability of oblivion.

Come to Ryan Masters for the lust and violence of youth, stay for madness, decay and death. Above an Abyss is a Borghesian tour de force.”
— Elizabeth McKenzie

Permafrost

v.20 | 1998

Permafrost

In 1998, the writer and poet Kent Fielding and I co-edited volume 20 of the University of Alaska Fairbanks' literary journal, Permafrost. Fielding is a key member of the Kentucky Literary Renaissance and co-founder of White Fields Press with the poet Ron Whitehead. His lit-world and Beat connections (which are listed on the journal's acknowledgement page) produced much of this extraordinary publication. With some editorial direction from Lawrence Ferlinghetti himself, the journal included work by Andy Warhol, Allen Ginsberg, Jean Genet, Thomas Merton, Peter Orlovsky, E.Ethelbert Miller, Jim Wayne Miller, and David Dodd Lee — much of it previously unpublished. Read the entire journal HERE.

A pair of quietly disturbing tales that will surely resonate with readers.
— Kirkus Reviews